Studio 360 with Kurt Andersen

Dec 5/2023

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  For listeners of Studio 360, we’re featuring an episode from the new PRX podcast Monumental. The landscape of public memory is shifting. As we re-examine the plaques in our parks and the sculptures on our streets, we grapple with what to do with them. Once we learn the stories these objects tell about who we are,[...]
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  Hello Studio 360 fans! We're sharing the first episode of a new podcast project, Nixon at War, hosted by Studio 360's Kurt Andersen. Nixon at War is a seven-episode history, a fresh new kind of chronicle about how Richard Nixon turned Vietnam into a war at home… that we’re still fighting today. Most accounts of the[...]
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  After 20 years, Studio 360 is switching off the ON AIR light one last time. Alec Baldwin conducts Kurt Andersen’s exit interview and they listen to some of Kurt’s favorite moments with guests. Since it’s this show’s finale, Kurt talks with TV showrunners David Mandel and Warren Leight about the art of writing a finale[...]
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  From 1910 to 1970, 6.6 million African Americans migrated from the rural south – a dramatic movement that would permanently change the social, political and cultural fabric of our nation. In 1941, Jacob Lawerence’s iconic series The Migration of the Negro (now generally referred to as The Great Migration) rocked the art world with its[...]
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  Studio 360 broadcast its first episode on November 4, 2000, just before we elected George W. Bush as President and we all learned what a “hanging chad” was. Fittingly, that first program was an exploration of art and politics hosted by a newcomer to radio, author and journalist Kurt Andersen. Originally produced out of WNYC[...]
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  How Public Enemy brought the revolution to hip-hop with “It Takes a Nation of Millions to Hold Us Back.” Plus, our Americans Icons segment on Maya Angelou’s “I Know Why the Caged Bird Sings,” which broke boundaries when it was published and still profoundly resonates with readers today. And Young Adult author Angie Thomas on[...]
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  New York was the original center of American moviemaking. But soon filmmakers figured out it was cheaper and simpler to work in California’s open spaces and good weather. With the westward migration, however, certain types of filmmakers were still drawn to New York. They found a home at Paramount’s “Big House,” a grand movie studio[...]
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  Where do you turn when you’re heartbroken in the dead of night? Delilah, of course. Her radio call-in show pairs romantic advice with the perfect song. Plus, how Yanni, John Tesh and others discovered an improbable vehicle to ‘90s stardom: the PBS pledge drive. For our Guilty Pleasures series, the writer and “This American Life”[...]
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  It’s all about the Oscars. Kurt talks with Thelma Schoonmaker, the longtime editor for Martin Scorsese who’s up for an Academy Award for “The Irishman”; Adam Driver, who’s a contender for his performance in “Marriage Story”; Quentin Tarantino, nominated for his film, “Once Upon a Time… in Hollywood”; and Antonio Banderas, nominated for his performance in[...]
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  This Woman’s Work is a series of stories from Classic Album Sundays and Studio 360, highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time: the Grammy nominated live album “Black Gold” by singer and pianist Nina Simone. It was recorded in front of a packed[...]
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  For our latest installment of American Icons, Studio 360’s Sam Kim explores “12 Angry Men,” the courtroom drama that has inspired jurists — and Hollywood script writers — for decades. And how Kris Maddigan, a first-time video game composer, wrote a 3-hour long jazz album for the popular indie game Cuphead. Learn more about your[...]
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  He’s a jazz icon, but Wynton Marsalis has always been drawn to classical music as well. Marsalis talks with Kurt Andersen about composing symphonies and performing with orchestras. And the newest installment in our series about influential albums by women, This Woman's Work, features “Hounds of Love” by Kate Bush, with performers as varied Outkast’s[...]
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  The final eight episodes of “BoJack Horseman” — Netflix’s animated series about a washed-up ’90s sitcom star living in the Hollywood Hills — will be released on January 31. Its protagonist is half-horse, half-man, and its tone is half-jokes, half-existential-angst. That’s a study in contrasts that seems inexplicable—until you talk with the show’s creator, Raphael[...]
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  Six decades after it premiered on Broadway, “West Side Story” is everywhere again, with a revival on Broadway and a movie in the works. But many still are troubled by the way Puerto Ricans are depicted. Plus, the story behind Garry Winogrand’s 1967 photo, "Central Park Zoo," which featured a white woman and a black[...]
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  Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely[...]
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  Garry Winogrand was a master of street photography, even though he disavowed that label. He photographed across the United States, including Texas and California, but his hometown, New York City, remained his greatest inspiration. His 1967 Central Park Zoo photo, of a white woman and a black man holding chimpanzees dressed in human clothes, is[...]
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  A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and much of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part[...]
• 
  A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and half of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part[...]
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  Kurt Andersen’s version of a Christmas story doesn’t have your typical talking snowman or mistletoe. Instead, this holiday tale involves extraterrestrial surveillance and melting polar ice caps. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Our latest New York Icons segment is about Midtown Manhattan’s Brill Building era, when songwriters like Carole King, Ellie Greenwich and Cynthia Weil churned out hit after hit for artists like The Shirelles, The Crystals and Little Eva. And producer Evan Chung investigates the strange story of a song from that era about a craze[...]
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  To celebrate the 75th anniversary of Tennessee Williams’ classic play, “The Glass Menagerie,” Studio 360 is devoting a whole hour to the art of glass. Kurt Andersen and architect Frances Bronet tour the glass towers of Midtown Manhattan to see firsthand the architectural legacy of the Bauhaus. After Hillary Clinton failed to break the glass[...]
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  For a few years in the late 1950s and early ‘60s, the heart of the music industry was an 11-story structure in midtown Manhattan: The Brill Building. There, and at the nearby 1650 Broadway, a group of very young songwriters including Carole King, Ellie Greenwich, and Cynthia Weil crafted their own take on rock and roll[...]
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  Our latest American Icons feature explores Patricia Highsmith’s series that began with “The Talented Mr. Ripley,” and how Tom Ripley fits into an American tradition of protagonists struggling with identity and morality. Kurt Andersen visits perfumer Tanwi Nandini Islam as she concocts a fragrance based on Toni Morrison’s “Beloved.” And a favorite from our Guilty[...]
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  On this Studio 360 extra, we’re sharing a podcast called “Aria Code.” Produced by WQXR and the Metropolitan Opera, it features singers and opera observers revealing the magic of a single song from an opera, followed by the aria uninterrupted. In this episode, host Rhiannon Giddens and her guests explore the power of hope in[...]
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  Kurt Andersen talks with director Jennifer Reeder about her path from making short arthouse films in the 1990s to her new film, “Knives and Skin.” Producer Sam Kim has the story of erotic potboiler “Naked Came the Stranger,” which climbed The New York Times bestseller list in 1969 but, it turns out, was meant to[...]
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  Wynton Marsalis is a jazz icon — a renowned trumpet player and composer, he is also the music director of the Jazz at Lincoln Center Orchestra. But since the very beginning, classical music has been a part of his musical makeup. Marsalis tells Kurt Andersen about how a chance encounter on a New Orleans streetcar[...]
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  Cartoonist Lynda Barry is famous for drawing the darkly funny strip “Ernie Pook’s Comeek” that appeared in alternative newsweeklies for three decades, but for the latest installment in our Guilty Pleasure series, she makes a case for why she loves perhaps the most mainstream and most mocked comic of all: “The Family Circus.” Our latest[...]
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  West Side Story, the tragic musical about star-crossed lovers from two rival gangs, was a hit on Broadway in the 1950s and then exploded across the country when it came to the silver screen. At the time, New York City’s demographics and landscape were rapidly changing, and choreographer Jerome Robbins, composer Leonard Bernstein, author Arthur[...]
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  Studio 360’s American Icon series has explored dozens of influential works of art and entertainment that have shaped who we are as Americans. Now we turn to our hometown of New York for a new batch of Icons stories about works of art that were born in the city and impacted the lives of people[...]
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  The childlike, cartoonish typeface Comic Sans is the most hated font in the world. Twenty-five years after its release, it's become notorious for showing up in seemingly inappropriate contexts, from office memos to newspapers and government documents. But librarian and technology educator Jessamyn West argues that hating on Comic Sans is elitist. Learn more about[...]
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  Kurt Andersen talks with the choreographer Mark Morris about how music has always been central to his work. The author Carmen Maria Machado reveals how an episode of “Star Trek: The Next Generation” had the unlikely effect of helping her write her new book about domestic abuse. And how the cartoon "Rocky and Bullwinkle" was[...]
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  Mezzo-soprano Jamie Barton is a rising opera star, performing on some of the world’s most venerable classical music stages. In concert halls from London to New York, Barton not only flaunts her velvety rich tone, but also her commitment to social justice as an openly queer performer. Now, Barton and pianist Kathleen Kelly have put[...]
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  Edgar Allan Poe’s stories are so familiar they’ve become part of our cultural wallpaper. A raven croaking “nevermore?” An enemy bricked up in a cellar? A heart beating under the floorboards? These images are the stuff of our collective nightmares, but Poe dreamed them all up first. For better and worse, Poe’s themes and obsessions[...]
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  The Bell Jar is often read as a sort of literary suicide note by poet Sylvia Plath. The autobiographical novel memorably follows her first attempt at taking her own life and her experiences living in a mental institution and undergoing electroshock therapy, but its accounts of weeks spent in New York City preceding the breakdown[...]
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  Kurt Andersen talks with Amy Sherald, who painted the official Michelle Obama portrait, about her strict religious upbringing, the surreal experience of interviewing with the Obamas and why she’ll only ever paint African Americans. Our latest American Icons feature: “96 Tears” by ? and the Mysterians, and how the band of Mexican American teens managed to[...]
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  Charleston band Ranky Tanky draws on the musical traditions of the Gullah culture from the Lowcountry region of the Southeastern U.S. They perform live in Studio 360 and then break the music down into its essential components, explaining what exactly makes this “Gullah” and how that cultural heritage has informed American jazz.  Learn more about[...]
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  Two highlights from our American Icons special series. First, producer Arun Venugopal revisits “The Searchers,” the John Ford film starring John Wayne that is widely regarded as a masterpiece, but which many see as racially problematic in the way that Wayne’s character pursues revenge against the Comanche who killed his family in a raid. Then,[...]
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  This Woman’s Work is a series of stories from Classic Album Sundays and Studio 360 highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time we’re looking at the artist who inspired the name of this series: the singer-songwriter, dancer and producer Kate Bush. With its[...]
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  Our latest Americans Icons segment is about “I Know Why the Caged Bird Sings.” Maya Angelou’s first book broke boundaries when it was published 50 years ago and still profoundly resonates with readers today. And Kurt Andersen talks with Liz Phair, the trailblazing indie rocker who’s just published a memoir. Learn more about your ad[...]
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  Kurt Anderson talks with Antonio Banderas about “Pain and Glory,” where he plays his longtime friend and collaborator –– and the director of this same movie –– Pedro Almodóvar. With the opening of “Joker,” starring Joaquin Phoenix, Kurt talks with Rick Baker, the celebrated makeup artist, about how Hollywood has clowned around with the character[...]
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  David Byrne’s stage show “American Utopia” is heading to Broadway in October. The show will feature songs from his latest album of the same name, as well as some older works from his former band, Talking Heads. This month also marks the 35th anniversary of “Stop Making Sense,” the brilliant Talking Heads’ concert film, made[...]
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  Conceptual artist Fred Wilson has spent much of his career examining how museum collections are chosen and exhibited, so Kurt Andersen meets Wilson at the Metropolitan Museum of Art for a chat and a tour. With this year marking the centennial of the birth of Uta Hagen, the actress who also became a revered acting[...]
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  Stepping in for Kurt Andersen this week, guest host Hari Kondabolu, the stand-up comic, gets the hour started with a conversation with fellow comic Hannah Gadsby. They discuss the success (and blowback) from Gadsby’s Netflix special last year, “Nanette,” her new show that she’s currently touring in the US, and her hilariously surreal encounter with[...]
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  Studio 360’s American Icon series has explored dozens of influential works of art and entertainment that have shaped who we are as Americans. Now we turn to our hometown of New York for a new batch of Icons stories about works of art that were born in the city and impacted the lives of people[...]
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  The writer and poet Hanif Abdurraqib fills in for Kurt Andersen. Hanif talks to fellow writer — and fellow proud Midwesterner — Ashley C. Ford about some of her inspirations, including Toni Morrison (who, yes, was also from the Midwest). Then, with the Notorious B.I.G.’s hip hop classic “Ready to Die” turning 25 this week,[...]
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  Writer and comedian Maeve Higgins fills in as guest host this week, interviewing playwright Michael R. Jackson about his new musical “A Strange Loop” and artist-journalist Molly Crabapple about her illustrations of ISIS-occupied Syria. Plus, the creators and cast of “Felix Starro,” a new musical from the Ma-Yi Theater Company, which is celebrating 30 years[...]
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  Most artists have to lead a sort of double life: holding down a steady job during the day that allows them to do what they love in their free time. Alex Kramer is an actor who lives in Brooklyn, but he moonlights as an “unannounced standardized patient”: someone who goes into hospital clinics undercover to[...]
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  “The Handmaid’s Tale” is getting a sequel, “The Testaments,” so it’s a good time to look at what originally influenced Margaret Atwood, and how the book continues to influence others. First, Atwood herself talks about her inspirations for the book — the rise of the Christian right in the 1980s and a woman in New[...]
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  When noir haunts and inspires. Portishead’s seminal album “Dummy,” which came out 25 years ago this week, was inspired by the band members’ obsession with mid-century spy movies. Karen Russell was struggling writing her first novel when she saw the classic noir film “The Night of the Hunter.” It helped her pull off the critically[...]
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  Laura Lippman is an Edgar Award-winning author of detective fiction, most famously for the Tess Monaghan series. And this summer, she has a new book on the New York Times Best Seller list called “Lady in the Lake.” Kurt Andersen recently visited Baltimore to talk to her for another story we’re working on: an American[...]
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  Fifty summers after Woodstock. First, Kurt Andersen talks with Sha Na Na co-founders Robert Leonard and George Leonard about the utter incongruity of a ’50s throwback band taking the stage at the festival. The Jimi Hendrix version of the national anthem on the last day of the festival that embodies the chaos and distortion of[...]
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  Nick Waterhouse, the Los Angeles-based musician who has cultivated a ’50s and ’60s inspired sound, joins Kurt Andersen to perform live and talk about his influences and his self-titled fourth album. For our latest installment of Guilty Pleasures, the writer and “This American Life” producer Bim Adewunmi explains how the “Sweet Valley High” series is[...]
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  Toni Morrison, the author of books including “Beloved” and “Song of Solomon,” died on August 5 at the age of 88. Her novels won the Pulitzer Prize and the Nobel Prize, and in 2012, Barack Obama awarded her a Presidential Medal of Freedom. Morrison’s work inspired countless readers … and writers, like “New Yorker” critic[...]
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  After a 67-year run, the “usual gang of idiots” will no longer be serving up the snark. After the August 2019 issue of “Mad Magazine,” old material will be reprinted with new covers, but you won’t find any new parodies or cartoons in those pages, aside from the occasional one-off or special feature. To mark[...]
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  August 1 marks the 200th anniversary of Herman Melville’s birth. To celebrate, we’re revisiting our Peabody Award-winning American Icons hour on his masterpiece, “Moby-Dick.” Melville's white whale survived his battle with Captain Ahab only to surface in the works of contemporary filmmakers, painters, playwrights and musicians. Kurt Andersen explores the influence of this American Icon[...]
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  Kurt Andersen talks with John Leguizamo about his latest one-man play, “Latin History for Morons,” and his career toggling between film and theater. The revival of “Oklahoma!” took a bold approach to updating the well-known musical, including the play’s famous “Dream Ballet.” The show’s choreographer, John Heginbotham, and dancer, Gabrielle Hamilton, discuss how they took[...]
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  Here’s another edition of This Woman’s Work, a series of stories from Classic Album Sundays and Studio 360 where we highlight classic albums by female musicians, women who continue to influence the world of pop culture and inspire others. This time, we’re looking at the debut album from a band who seems to have landed[...]
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  An episode about singers, alone and in harmony. The latest installment of This Woman’s Work, a series from Classic Album Sundays and Studio 360 highlighting classic albums by female artists, focuses on “Lady Sings the Blues” by Billie Holiday, whose role as an innovator we are still coming to grasp. Kurt Andersen talks with composer[...]
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  Kurt Andersen talks with the director Lynn Shelton about how conspiracy theories and improvisation figure into her new film, “Sword of Trust,” which stars Marc Maron. Michael Bowen felt isolated growing up, but then he saw the animated feature film “One Hundred and One Dalmatians,” and oddly enough, its villain, Cruella de Vil, gave him[...]
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  John Leguizamo has a long and successful film and TV career. Early on he had recurring roles on Miami Vice and ER and worked with directors like Brian DePalma, Spike Lee, and Baz Lurhman. And he also provided a voice in the endless animated franchise Ice Age, playing Sid the sloth. But alongside this life[...]
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  Our recent live show was recorded in New York on a glorious spring day on the High Line, the elevated park. It begins with Kurt Andersen welcoming to the stage Friends Who Folk, the music comedic duo of Rachel Wenitsky and Ned Risely, who perform and discuss how they’re truly devotees to the folk tradition,[...]
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  Kurt Andersen talks with Julio Torres and Ana Fabrega — two of the co-creators, writers, producers and stars of the new HBO series “LosEspookys.” Gauging how films have shaped — and skewed — our understanding of the Stonewall uprising, with Mark Segal, who participated in the riots, and Jude Dry, a film and television critic[...]
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  In 1971 Richard Roundtree stepped out of a subway entrance to the Oscar-winning sounds of Isaac Hayes, and changed American movie-making. The box-office success of Shaft, about a fiercely independent, courageous, and sexy private eye, led to an explosion of black action B-movies, and crystalized a version of black macho cool that hadn’t been shown[...]
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  Journalist Taffy Brodesser-Akner talks with Kurt Andersen about her first novel, “Fleishman Is in Trouble,” a book about divorce that has both humor and bite. John Cameron Mitchell was behind the punk musical “Hedwig and the Angry Inch,” and his latest project is “Anthem: Homunculus,” a podcast musical. Mitchell and composer Bryan Weller perform music[...]
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  Los Angeles-based musician Nick Waterhouse weaves together classic rhythm and blues, jazz, and soul, lending his songs a ‘50s and ‘60s inspired sound. Waterhouse stopped by Studio 360 to tell Kurt Andersen about his self-titled fourth album. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Singer-songwriter Regina Spektor talks with Kurt Andersen about her upcoming Broadway residency and, seated at a Steinway, performs some songs. The story behind the Empire Zinc strike 70 years ago and the film it inspired, “Salt of the Earth.” And how one scene from “Finding Nemo” inspired Kiki Kienstra to up and move to Mexico.[...]
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  To commemorate Deadwood and its long-awaited conclusion, Kurt Andersen revisits his 2006 conversation with the show’s creator, David Milch. They discuss the show’s reprobate cast of characters and their florid, profane dialogue. “I did a lot of research,” Milch says. “Everyone without exception said that in the mining camps, the language was of an unrelieved[...]
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  In 1987 Elaine May’s comedy “Ishtar” was savaged by critics and flopped spectacularly, but it turns out that the movie is actually pretty funny — and the reason it failed is pretty complicated. Beanie Feldstein and Kaitlyn Dever, the stars of “Booksmart,” tell Kurt Andersen about how they became friends after they were cast as[...]
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  A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and much of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part[...]
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  Booksmart is a new movie directed by Olivia Wilde, about two smart young women, Molly and Amy, who are best friends finishing at the top of their class because they spent high school doing homework and volunteering instead of partying so they could get into good colleges. Only to realize that their hard-partying classmates also[...]
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  Theater magic, starting with “Tootsie” composer David Yazbek and musical theater obsessive John McWhorter on the art and wonder of tongue-twisting patter songs. Kurt Andersen talks with performance artist Taylor Mac on writing the new Broadway play, "Gary: A Sequel to Titus Andronicus." And the odd mixture of religious fervor, class concerns and gender politics[...]
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  This Woman’s Work is a series of stories from Classic Album Sundays and Studio 360, highlighting classic albums by female artists that have made a lasting impact on music and pop culture. This time, we focus on Lady Sings the Blues by legendary jazz singer Billie Holiday. It was released in 1956 to coincide with[...]
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  Kurt Andersen talks with filmmaker Werner Herzog about his latest documentary, "Meeting Gorbachev," his unusual approach to narrating documentaries and their mutual obsession with cat videos. One of the busiest directors of TV comedy, Beth McCarthy-Miller, tells Kurt how she has gone about directing “SNL,” sitcoms and that notorious Super Bowl halftime show that popularized[...]
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  In Anthem: Homunculus, John Cameron Mitchell and composer Bryan Weller have taken the podcast musical to new heights. They join Kurt to discuss the shows origins, and perform a song live in our studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
• 
  A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and half of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part[...]
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  Kurt Andersen talks with novelist Karl Ove Knausgård about his nonfiction book about Norwegian painter Edvard Munch. Ani DiFranco’s new memoir chronicles the ups and downs of being a feminist folk hero. Pete Seeger would have been 100 this week, and Kurt revisits a lovely afternoon he spent with the singer in the home he[...]
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  Ali Smith’s 2016 book Autumn was heralded as the first great post-Brexit novel. Kurt talks with her about politics, art, and the very nature of time. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Kurt Andersen talks with Susan Choi, whose engrossing new novel about on- and offstage drama at a performance arts high school is called “Trust Exercise.” How Edward Doyle-Gillespie ended up writing poetry about being a Baltimore cop. And This Woman’s Work, our new series in collaboration with Classic Album Sundays that highlights classic albums by[...]
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  Kurt Andersen talks with playwright Suzan-Lori Parks about “White Noise,” along with one of the play’s stars, Daveed Diggs from the original cast of “Hamilton.” Iggy Berlin explains what he does as an extra for operas and ballets, where they’re called supernumeraries. And the rich history of the song “In the Pines,” which many luminaries[...]
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  This month marks the birth centennial of American dancer and choreographer Merce Cunningham. His defiant work transformed contemporary arts beyond dance. Cunningham talks about movement and technology, and dancers Daniel Roberts and Bill T. Jones tell us about his influence. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  At 82, the writer Frederic Tuten has published a memoir of his formative years in New York, “My Young Life,” and Kurt Andersen strolls the East Village with him as he reminisces.  Cartoonist Cathy Guisewite looks back at how some of her own struggles and insecurities inspired the “Cathy” comic strip, and how while many[...]
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  Studio 360 is teaming up with Classic Album Sundays for a series of storiescalled This Woman’s Work, highlighting classic albums by female artists. We'll talk about records that represent women musicians at the peak of their creative powers, and whose influence is felt all over the musical map. From what is arguably one of the[...]
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  Understanding our fascination with the criminal underworld. Jia Zhangke’s takes an empathetic look at criminal brotherhoods in China in his new gangster film “Ash Is Purest White.” Stand-up comics reveal what it was like working in Vegas when mobsters owned the clubs. A brave critic defends “The Godfather: Part III.” And how the late Sue[...]
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  Susan Choi’s new novel, Trust Exercise, is a story about trust, betrayal, and the blurry lines between fiction and real life. It focuses on a group of teenagers at a performing arts high school in the 1980s and their fraught relationships with the eccentric teachers whom they idolize. The book takes a metafictional twist about[...]
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  The trailblazing filmmaker Agnès Varda died on Friday of breast cancer at age 90. In tribute to her, we’re revisiting Kurt’s 2017 interview with Varda and her collaborator JR. Their Oscar-nominated movie,Faces Places,documents their loving — albeit unexpected — friendship. She was a founding member of the French New Wave, while he is a 36-year-old[...]
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  Our monsters, ourselves: Why creatures repel us, yet attract us. Our latest American Icons segment is about “The Rocky Horror Picture Show,” and producer June Thomas reports on how the movie became an audience-participation phenomenon — and gave a sense of belonging to some of those moviegoers who were made to feel like outcasts elsewhere.[...]
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  Kurt Andersen talks with Marcia Clark, prominent again after two highly regarded television shows revisited her role prosecuting the O.J. Simpson case, and who now has a new legal-drama TV show, “The Fix.” And producer Sam Kim takes on a case of his own: He helps unravel the mystery of an old “Sesame Street” cartoon[...]
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  For much of his career, Jia Zhangke’s films were officially banned in his home country, China. But through austere, realist movies like Still Life, Platform, and The World, Jia became one of the most celebrated directors on the international arthouse circuit. His latest film, Ash Is Purest White, appears at first to be a conventional[...]
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  Kurt Andersen talks with director Florian Henckel von Donnersmarck about his new film “Never Look Away,” and why the director interviewed the artist Gerhard Richter extensively to make a film that is only kind of about Richter. Plus, how Yanni, John Tesh and other musicians discovered an improbable vehicle to ‘90s stardom: the PBS pledge[...]
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  Kurt Andersen talks with Heidi Schreck about her new play, based on oratory competitions she took part in as a teenager, called “What the Constitution Means to Me.” Siblings Elan and Jonathan Bogarín join Kurt to talk about their new documentary “306 Hollywood,” an artful and even surreal look at how they dealt with their[...]
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  Edward Doyle-Gillespie always found writing stories cathartic, a way to process whatever was going on in his life. But as a police officer in Baltimore, witnessing people in the most desperate conditions, he increasingly turned to poetry as a vehicle for understanding and expressing his experiences on the job. “There are these moments in policing,[...]
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  Kurt Andersen talks with author N.K. Jemisin about writing, politics, and her new book “How Long 'til Black Future Month?” Our latest American Icons segment is about “Cross Road Blues,” the song that helped to posthumously popularize — and mythologize — Robert Johnson. And how “This Is Spinal Tap,” which opened 35 years ago this[...]
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  The annual Oscar hour. Kurt Andersen starts it off with his takeaway from this year’s crop of nominees: some actors delivered great performances in films that overall were not so great. Then Kurt talks with Richard E. Grant about his nomination for "Can You Ever Forgive Me?" and some of his other memorable roles, including[...]
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  In the mid-1970s, Jon Armond was traumatized by something he saw on Sesame Street. It was a cartoon about a little girl who encounters creatures formed by the cracks on her bedroom wall — including a horrifying, screaming face who called himself “The Crack Master.” Decades later, Armond wasn’t sure if the cartoon actually existed…[...]
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  As Cupid takes aim this week, a look at how sex and sexuality are handled — and mishandled — on-screen. Kurt Andersen speaks with Slate’s Jeffrey Bloomer on depictions of first-time sex. Intimacy-scene consultant Alicia Rodis describes how she helps actors who are virtual strangers seem like they are deeply and lustilly in love during[...]
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  An hour on country music: past, present and future. Nashville-based music reporter Jewly Hight gives Kurt an update on how women artists in country music are forging new paths in an industry that’s become unwelcoming. Dolly Parton reflects on her long career. Willie Nelson shares an Aha Moment about the song that changed his life.[...]
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  In 2015, an autistic boy disrupted a performance of The King & I on Broadway, reacting loudly to a scene where a slave is whipped. He and his mother were asked to leave the theater. After the performance, one of the actors from the ensemble posted a reaction to the incident on Facebook. He wrote:[...]
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  Natasha Wimmer, whose translations of Roberto Bolaño are extraordinary, tells Kurt Andersen about her rules of the road. Plus, the play “Behind the Sheet” helps to expose and reassess J. Marion Sims, a pioneer in gynecology whose advances came at the expense of the slaves on whom he conducted brutal experiments. And Kurt talks with[...]
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  An hour on continuing innovations in American dance. Choreographer Donald Byrd uses dance to illuminate what it means to be black in America. Elizabeth Streb speaks with Kurt Andersen about how she defies gravity with her “extreme action” techniques. And how the salsa pioneers Celia Cruz and Johnny Pacheco got the world on its feet. [...]
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  On this Studio 360 extra, we’re sharing a great new podcast called Aria Code. Produced by WQXR and the Metropolitan Opera, it features singers and other thinkers decoding the magic of a single piece from an opera, followed by the music uninterrupted. In this episode, host Rhiannon Giddens and her guests reflect on the Biblical[...]
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  Thanks to a new exhibit at the Guggenheim, the art world is rediscovering Hilma af Klint. How was this Swede so ahead of her time, and will she finally get her due? Lee Israel’s memoir about forging letters by famous writers, “Can You Ever Forgive Me?,” is now a terrific movie starring Melissa McCarthy. Israel[...]
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  The story of “Doug,” the Nickelodeon cartoon from the ’90s that used a minimalist approach but had a profound impact on young viewers. Kurt Andersen talks with Rina Banerjee, who makes enchanting installations and who is the subject of a retrospective show at just 55. And the breathtaking backstory and staging for “The Jungle,” the[...]
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  John August, the host of Scriptnotes, explains his approach to screenwriting. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Some of our favorite stories from the past year. First, Kurt Andersen speaks with Daniela Vega, who delivered a stunning performance in "A Fantastic Woman." Casey Trela is a musician in Los Angeles with a Kafkaesque day job: he watches movies and TV shows over and over and over again looking for the tiniest production[...]
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  Some of our favorite stories from the past year. First, the musical equivalent to stock art, library music, where composers anonymously churned out some of the strangest, funkiest — and most recognizable — music of the ’60s, ’70s and ’80s. The Domino’s Pizza mascot, The Noid, was just a whimsical advertising mascot — until it[...]
• 
  Here in America, despite the hysteria whipped up in the weeks leading up to the November midterm elections, there was no influx of migrants from the south. In other words, nothing like what happened a few years ago, when hundreds of thousands refugees from the Middle East, Central Asia, and Africa arrived in Europe. There’s[...]
• 
  An American Icons segment about “The Searchers,” John Ford’s problematic masterpiece featuring John Wayne. Kurt Andersen talks with Carol Stabile about an aspect of the Red Scare that’s received scant attention: the 41 women who were blacklisted from radio and television. And how Mariame Kaba, a prison activist who’s black and Muslim, falls hard for[...]
• 
  The stuff you love as kids — that still deserve love when you’re grown up. Kurt Andersen talks with author Bruce Handy about how the best children’s literature can still enthrall adults — and then Bruce’s and Kurt’s kids join them to weigh in. Jim Henson always thought of his creations, the Muppets, as adult[...]
• 
  Lee Israel’s memoir, “Can You Ever Forgive Me?” tells the story of her years forging letters by famous writers like Dorothy Parker and Noel Coward. Her book has recently been adapted into a new film starring Melissa McCarthy as Israel. Kurt Andersen interviewed the real Lee Israel in 2008, and with the film adaption now[...]
• 
  Why is contemporary culture obsessed with how well-endowed men are and yet in classical art men are so small? Kurt Andersen unravels the mystery with a classics scholar, Andrew Lear. Stacey Rose is a playwright, but when she’s not working to take audiences’ breath away on stage, she’s doing the opposite in her day job:[...]
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  Kurt-ain call — a show about what goes into making great theater. First, a look at Alan Jay Lerner on the centennial of his birth. The lyricist for “My Fair Lady,” “Gigi” and “Camelot” was as complicated as he was talented. Then Jack Viertel, the theater impresario, gives Kurt a master class on all the[...]
• 
  One day at school in the early 1990s, Shane McCrae watched a TV movie about teen suicide. The first half was all exactly what you would have expected: cheesy platitudes, heroic teachers, and feathery haircuts. Then, a character quoted the poetry of Sylvia Plath. “I don't want to be hyperbolic, but it did feel like[...]
• 
  Three American Icons that embody our nation’s counterculture. First: it’s not the fastest or fanciest bike out there, but Harley-Davidson has become synonymous with the motorcycle for many Americans. Then, why Georgia O’Keeffe fled the East Coast for New Mexico, where she found her muse in sun-bleached bones that littered the desert. And finally, how[...]
• 
  Kurt Andersen talks with Missy Mazzoli and Karen Russell about Mazzoli’s new opera, “Proving Up,” based on a short story by Russell about a family’s bleak prospects in post-Civil War Nebraska. Buffalo Tom singer Bill Janovitz talks about how, when the band scaled back its touring and recording, he found a less hip — and[...]
• 
  A new theatrical version of To Kill a Mockingbird is opening on Broadway next month, adapted for the stage by Aaron Sorkin and starring Jeff Daniels as Atticus Finch. So in anticipation of this Broadway debut, we’ve put together some of our favorite segments about America’s most beloved novel. First, we check in with the[...]
• 
  Kurt Andersen talks with Amy Cappellazzo of Sotheby’s and filmmaker Nathaniel Kahn about the art market and Kahn’s new documentary, “The Price of Everything.” How the masterful Talking Heads album “Remain in Light” drew on inspiration from radio preachers, newspaper headlines, recordings of former slaves and John Dean’s Watergate testimony. And Kurt talks with the[...]
• 
  Kurt Andersen talks with Morgan Neville about his documentary that focuses on an Orson Welles film that was completed long after Welles died. Maria Schneider’s album “The Thompson Fields” took a circuitous path, and she discusses it both as it’s being conceived and a year later, when it’s in the can. Neuroscientist Heather Berlin tells[...]
• 
  Lynn Nottage’s play Sweat won the Pulitzer Prize for Drama in 2017. It tells the story of a group of friends who work in a factory in Reading, Pennsylvania and are reeling from layoffs and racial tension. The Public Theater’s Mobile Unit took the show to the road and visited 18 places in the so-called[...]
• 
  Kurt Andersen talks with Sandi Tan, who shot a film as an 18-year-old in Singapore in 1992, but the footage disappeared. She finally got her hands on the footage a few years ago, and the mystery of its disappearance is the subject of her new documentary, “Shirkers.” Tanwi Nandini Islam is both a novelist and[...]
• 
  Speculative fiction — the catch-all term for non-realist genres — in its many forms. Remembering the irascible speculative fiction writer Harlan Ellison. How reading a sex scene in an Isaac Asimov book changes an adolescent’s understanding of gender identity. Colson Whitehead reads from his zombie novel “Zone One.” And tracing the sci-fi-themed Afrofuturist tradition in[...]
• 
  Stacey Rose is a playwright in Saint Paul, Minnesota but by day -- and sometimes also by night — she’s a respiratory therapist.  Stacey is also a fellow with the Sundance Institute Theatre Lab and her play, “The Danger: A Homage to Strange Fruit” just played in Brooklyn. As part of our Day Jobs series,[...]
• 
  Kurt Andersen and Theresa Rebeck discuss her new play about the most acclaimed actress of her day, Sarah Bernhardt. Justine Bateman’s new book examines being inside — and then outside — the fame bubble. A listener finds something surprising inside a book at a used bookstore — an inscription from the famous author of the[...]
• 
  Kurt talks to the author Daniel Torday about his new book, “Boomer1,” a dark satire about the tension between millennials and baby boomers coming to a head. Then a segment about something boomers couldn’t stand about the generation that preceded them: its love for Lawrence Welk’s unapologetically wholesome variety show. For our Guilty Pleasures feature,[...]
• 
  It was late in 1971 when the singer-songwriter Don McLean released his song, “American Pie.” Today, everybody still seems to know all the words… but nobody seems to know what those words really mean. Who is the “jester [who] sang for the King and Queen/In a coat he borrowed from James Dean?” And what was[...]
• 
  Ethan Hawke came of age as a Gen X heartthrob, but he’s stayed relevant and is as busy as ever. He’s appeared recently in Paul Schrader’s “First Reformed” and the Nick Hornby adaptation “Juliet, Naked,” and the fourth film he’s directed, “Blaze,” is out now. Edward Hopper’s “Nighthawks” has become so strongly associated with film[...]
• 
  Swingin’ on the flippity-flop in the PNW. Sub Pop CEO Megan Jasper on her legendary hoax on The New York Times with her lexicon of grunge terms. Carrie Brownstein on Sleater-Kinney and the difference between TV stardom and music stardom. What residents in the Washington towns where “Twin Peaks” was filmed love — and hate[...]
• 
  BoJack Horseman, Netflix’s animated series about a washed-up ’90s sitcom star living in the Hollywood Hills, is beginning its fifth season. Its protagonist is half-horse, half-man, and its tone is half-jokes, half-existential-angst. That’s a study in contrasts that seems inexplicable—until you talk with the show’s creator, Raphael Bob-Waksberg. Bob-Waksberg is about as introspective, funny and[...]
• 
  Ann Dowd, who won an Emmy for her portrayal of Aunt Lydia on “The Handmaid’s Tale,” joins Kurt to talk about playing characters — many of them terrifying — for three decades. In the 1960s, when hippies turned to Christianity in what’s commonly called the Jesus Movement, Christian rock was born. And so was a[...]
• 
  Only 12 entertainers have won the EGOT sweep: Emmy, Grammy, Oscar and Tony. In this hour of Studio 360, we look back at some of our favorite stories about EGOT winners. Composers Robert Lopez and Marvin Hamlisch both perform in our studio. Mel Brooks’ classic comedy skit, “The 2,000 Year Old Man.” And finding inspiration[...]
• 
  Young guitarists emulate standard-bearers like The Kinks’ Dave Davies, Led Zeppelin’s Jimmy Page, and Eric Clapton. But when those guitarists were making their mark in the 1960s, they worshipped their own guitar hero: Link Wray. Sixty years ago, in 1958, Wray released “Rumble,” an instrumental song that had the 12-bar form of blues but pioneered[...]
• 
  Kurt Andersen talks with the celebrated architect Liz Diller about how making buildings is like making movies, and she picks some of her favorite examples of films that use architecture brilliantly. How court-ordered psychotherapy helped spur the material Richard Pryor performed for his album “Wanted: Live in Concert,” which marks its fortieth anniversary this year[...]
• 
  What happens when artists get political. Kurt talks to conservative painter Jon McNaughton about protest art in the age of Trump. The dramatic use of masks in the paintings of Detroit’s Tylonn Sawyer. Our American Icons series looks at the song “Dixie,” the Confederate symbol that’s impossible to remove. And Roya Hakakian and Reza Aslan[...]
• 
  The excellent new movie Blindspotting deals in complex ways with issues of race, gentrification, and police brutality. But it’s a drama both leavened and enhanced by its unique use of rap and verse. Co-writers and stars Daveed Diggs (Hamilton) and Rafael Casal (Def Jam Poetry) play best friends Collin and Miles who, over the course[...]
• 
  Some of the greatest film music of the 20th century came from readymade stock albums recorded by virtually anonymous musicians. Author David Hollander and composer Keith Mansfield tell the story of vintage library music. How Lucille Fletcher’s thrilling 1943 drama “Sorry, Wrong Number” shocked American radio listeners. And writer Matt Novak uncovers the surprising movies[...]
• 
  Studio 360 presents a special bonus episode of another great podcast — Hit Parade.  This week, one of music's most iconic personalities — Madonna — is turning 60 years old, and Hit Parade is here to celebrate her. Host Chris Molanphy, a music journalist and pop-chart historian, digs through Madonna's large catalog, particularly at a[...]
• 
  In “Walden,” Henry David Thoreau helped shape the way we think about nature and our place in the world. An American Icons segment examines why many readers think that Thoreau was a genius while others think he’s a hypocrite. A second American Icons segment remembers Leonard Bernstein’s “Young People’s Concerts” with the New York Philharmonic,[...]
• 
  This month, the music world is celebrating what would’ve been Leonard Bernstein’s 100th birthday. As conductor of the New York Philharmonic, he changed the way audiences understood classical music. Five musicians from the Philharmonic remember playing under Bernstein’s baton. This story was produced by WNYC’s Sara Fishko. (Originally aired September 26, 2008. Violinist Oscar Ravina[...]
• 
  Ken Jennings got famous for his record-breaking run on “Jeopardy!” But he stayed famous for his keen wit, and he joins Kurt Andersen to talk about his new book on the history and future of comedy, “Planet Funny.” Mira T. Lee explains how a Picasso painting, “Girl in a Mirror,” found its way into her[...]
• 
  Pressing play — stories about children and how recreation is a form of creation. Kurt Andersen takes a field trip to Governors Island with design critic Alexandra Lange to learn about the history of playgrounds — and see some extraordinary slides. Paola Antonelli tells us the humble beginnings of the Frisbee, its origins being in[...]
• 
   It was 40 years ago when Steve Martin released the concert album, “A Wild and Crazy Guy.”  These days Martin is known as an actor, a novelist, a playwright, an accomplished banjo player, a major art collector. But before all that, he was best known for wearing a stupid joke arrow on his head –[...]
• 
  The coasts are not the only cultural centers in America: Kurt Andersen takes a trip to the FRONT International Cleveland Triennial for Contemporary Art. A musician pays the bills as a Mastering Quality Control Technician for movies and TV shows. And what we can learn about the Bible from Beyoncé. Learn more about your ad[...]
• 
  An ode to animals, read by the late poet Marianne Moore. Plus, since the dawn of humanity, more or less, people have used representations of animals to tell stories. But some artists have wanted to buck that trend, depicting animal stories from the animals’ point of view. Laline Paull is one of these artists. Her[...]
• 
  Biologist Roger Payne discovered whale song when he started studying a mysterious recording in 1966. The recording came from a sound designer doing military research, Frank Watlington, who was trying to record undersea dynamite explosions.Payne became obsessed with the recording, and made a startling discovery: the sounds were repeating. That means that they were scientifically[...]
• 
  Laurel Braitman is a historian of science and the author of Animal Madness: How Anxious Dogs, Compulsive Parrots, and Elephants in Recovery Help Us Understand Ourselves. She’s particularly interested in animals held in captivity. “If their minds aren’t stimulated and challenged they can end up with all sorts of disturbing behaviors,” she explains. Braitman wondered[...]
• 
  Kurt Andersen talks with comic artist Aline Kominsky-Crumb about her trailblazing work. In 1965, Wilson Pickett went to Stax Records in Memphis to record “In the Midnight Hour” — and nothing was the same after. And “Luke Cage” showrunner Cheo Hodari Coker breaks down how his love of hip-hop and other music shapes his show. [...]
• 
  The music documentary podcast Pitch, produced by Alex Kapelman and Whitney Jones, is returning after a three-year hiatus. Nine new episodes immerse in subjects including the music of ISIS, the hip-swaying, female-empowerment dance songs of Carnival, and blacklisted 1950s jazz musician Hazel Scott. “Her story is amazing,” Whitney Jones tells Kurt Andersen about Hazel Scott.[...]
• 
  Monticello is home renovation run amok. Thomas Jefferson was as passionate about building his house as he was about founding the United States; he designed Monticello to the fraction of an inch and never stopped changing it. Yet Monticello was also a plantation worked by slaves, some of them Jefferson’s own children. Today his white[...]
• 
  When is humor appropriate in the medical field? Bioethicist Katie Watson, an Assistant Professor in the Medical Humanities & Bioethics Program of Feinberg School of Medicine at Northwestern University, has thought a lot about this issue. She moonlights as faculty at the Second City Training Center in Chicago, the teaching side of the famous improv[...]
• 
  Sophie Scott is fascinated by laughter—and she thinks that cognitive science and psychology are missing out by ignoring it. A cognitive neuroscientist at University College London, Scott studies and teaches us how to distinguish between “social” or “voluntary” laughter (the way you politely laugh at a co-worker’s jokes) and “authentic” or “involuntary” laughter (the kind[...]
• 
  The practice of laughter yoga began in 1995, when it was invented by Madan Kataria, a doctor in Mumbai, India. Today, its practitioners attend thousands of classes offered all over the world. They say they gain health benefits, including stress reduction and an improved immune system. Kurt Andersen and Mary Harris, a health reporter at[...]
• 
  Filth in all its forms: whimsical and mundane, literal and figurative. Kurt talks to America’s auteur of the scatological, filmmaker John Waters. Writer Henry Alford and comedian Dave Hill visit a museum exhibit where all the art is made of dirt or trash. Who’s selling and who’s reading the smutty bestseller, “Fifty Shades of Grey”?[...]
• 
  On Luke Cage, the Marvel series on Netflix, music is almost everything. “I’m a hip-hop showrunner,” says showrunner Cheo Hodari Coker. “It just permeates every decision we make on the show because we’re not just making decisions about plot. The whole thing has to feel a certain way.” If the first season of Luke Cage[...]
• 
  Thirty years ago, Public Enemy brought the revolution to hip-hop with “It Takes a Nation of Millions to Hold Us Back.” Kurt Andersen talks with the graphic designer Bonnie Siegler about the history of protest art. And the newspaper comic “Nancy” gets a reboot and its first female cartoonist.  Learn more about your ad choices.[...]
• 
  Fiction, fantasy and reality in the Sunshine State. Lauren Groff talks about writing — and surviving — in Florida. The writer Carl Hiaasen tells Kurt Andersen how he turns sleaze into sunshine noir. In Celebration, Florida, fantasy meets reality. How the Florida wilderness helped create Jeff VanderMeer’s apocalyptic landscape. And Judy Blume tours her old[...]
• 
  After its premiere at the Sundance Film Festival, critics have called Hereditary the scariest movie of the year — perhaps even the scariest movie since The Exorcist. It’s a supernatural film starring Toni Collette about a family dealing with horrifying, unspeakable trauma. It’s the first feature film by writer and director Ari Aster. “It was[...]
• 
  An American Icons special segment about “Fahrenheit 451,” the cautionary tale about authoritarianism and free speech that has seen a sales surge since the 2016 election. How Tony Visconti, Bowie's longtime producer, captured the artist's career in a 15-minute remix for the exhibit “David Bowie is.” And why filmmaker Bart Layton included documentary elements in[...]
• 
  Columbia University astrophysicist Janna Levin talks to Kurt Andersen about gravitational waves, the book she wrote about the breakthrough called “Black Hole Blues,” and the arduous, 50-year journey to finally hearing the sound that proves a 100 year old theory of Einstein’s to be true. Learn more about your ad choices. Visit megaphone.fm/adchoices
• 
  James Gleick tries to imagine what Einstein would have thought about time travel.  “For a while, I was hoping I could find a letter from Einstein,” he says. “My dream was that he'd read the 'Time Machine' and said 'Ah ha!' But of course, there's nothing like that. There's no evidence that I could find[...]
• 
  When he was growing up in Germany in the 1880s and 90s, nobody had pegged Einstein as a genius. He dropped out of high school and had to apply twice to a university in Switzerland that accepted students without high school diplomas. He did well at college, but didn’t apply himself and struggled to complete[...]
• 
  How do you build a monument to a war that was more tragic than triumphant? Maya Lin was practically a kid when she got the commission to design the Vietnam Veterans Memorial on the National Mall. “The veterans were asking me, ‘What do you think people are going to do when they first come here?’”[...]
• 
  In 2012, Bart Layton made his directorial debut with The Imposter — an ambitious true crime story that mixes documentary and narrative filmmaking. His latest movie further blurs the lines between fiction and reality: American Animals depicts a 2004 book heist by interspersing interviews with real people and the fictionalized version of the events. “I[...]
• 
  The latest installment in Studio 360’s American Icons series: The Muppets — how the world fell for Jim Henson’s troupe of puppets. Plus, teleprompters were supposed to make cue cards obsolete, but not on “Saturday Night Live,” where “Cue Card Wally” Feresten is indispensable. And singer Angélique Kidjo talks about her new album “Remain in[...]
• 
  For a long time, mainstream scientists were deeply skeptical about the theory of multiple universes — but comic-book writers immediately saw the creative possibilities. University of Minnesota physics professor (and author of the book "The Physics of Superheroes") James Kakalios pays a visit to Source Comics & Games in St. Paul.Plus, the series finale of[...]
• 
  “The Crawick Multiverse” is a sprawling piece of landscape art tucked into Dumfries and Galloway in the Scottish countryside, on the site of what used to be a coal mine. The artist Charles Jenks took the BBC’s Anna Magnusson on a tour of the site.The landscape is a series of connected paths and landforms, studded[...]
• 
  Mark Oliver Everett (AKA "E") is best known as the singer, songwriter, and driving force behind the indie rock band Eels. A lesser-known biographical detail about Mark: his father, Hugh Everett III, proposed the "many worlds" interpretation of quantum mechanics. Everett's work raised the possibility that multiple realities could exist simultaneously, with multiple versions of[...]
• 
  A show about how — and why — pets become our muses. Elias Weiss Friedman, the photographer behind the blog The Dogist, shows Kurt how to photograph a pooch and get that cocked-head, raised-ears look. Dog trainer Teresa Miller explains how she trained the canine stars of the Hungarian film “White God” to perform. Jazz[...]
• 
  In the MeToo era, so many creative people are being outed as bullies, sexual predators, and worse. And for journalists who cover arts and entertainment, it’s been a bit of a tightrope: How can you write about House of Cards or The Cosby Show ever again without the work feeling hopelessly tainted? And are they still[...]
• 
  The art of motherhood. Gloria Calderón Kellett talks about making “One Day at a Time” and the classic TV moms who influenced how she writes about motherhood. Novelists Louise Erdrich and Megan Hunter, along with Parley Ann Boswell, talk about the artistic choice of featuring pregnant women in dystopian fiction. Isabella Rossellini talks to Kurt[...]
• 
  Creating superheroes. Kurt Andersen talks with “Superman” writer Gene Luen Yang on “Boxers & Saints” and “American Born Chinese.” Plus, the complicated — and sometimes divisive — issue of cosplay characters dressing up as a character of a different race. And producers Brendan Baker and Chloe Prasinos talk about all the work and (and a[...]
• 
  After touring the world for the last five years, the "David Bowie is" exhibit is making its final stand at the Brooklyn Museum. The show features over 400 pieces: diary entries, handwritten lyrics, artwork, and lots of unforgettable costumes. But Bowie's music is on display as well. One of the show's highlights is a mashup[...]
• 
  Kurt Andersen speaks with Laurie Metcalf, the actor who is striking gold everywhere: she was nominated for an Oscar for her role as the mother in “Lady Bird,” stars in the Broadway play “Three Tall Women,” and, with most of the rest of the original cast, has returned to the reboot of “Roseanne” on ABC.[...]
• 
  Three stories from the American Icons series. How “Amazing Grace,” a song written by a slave trader, came to be a civil rights anthem. Plus, a novel that featured “Amazing Grace” and helped popularize it, “Uncle Tom’s Cabin.” Harriet Beecher Stowe’s book helped promote the abolitionist cause, yet the term “Uncle Tom” became a pejorative[...]
• 
  Now that it’s conquered the cineplex and Netflix, Marvel is going after your earbuds — with its first scripted podcast,Wolverine: The Long Night. It tells the story of Special Agents Pierce and Marshall, who arrive in a small Alaskan fishing town to investigate a series of mysterious murders and a suspicious loner living in the[...]
• 
  An oral history of The Noid. It was a lighthearted Domino’s campaign, with claymation by the same designers who made the California Raisins — but it drove one man over the edge. Plus, Kurt Andersen talks with TV and magazine writer Nell Scovell about her memoir, “Just the Funny Parts.” And Phil Elverum of Mount[...]
• 
  To celebrate National Poetry Month, we’re featuring some of our favorite American practitioners. Tracy K. Smith shares some of her surprising sources of poetic inspiration: David Bowie and the Hubble Space Telescope. And she chooses the winners to our listener poetry competition. Walt Whitman’s “Leaves of Grass” gets the American Icons treatment. And Kurt Andersen[...]
• 
  You might not have heard of Nell Scovell, but you’ve definitely seen her work: she’s written for The Simpsons, Late Night with David Letterman, Murphy Brown and co-wrote the 2013 blockbuster book Lean In with Facebook Chief Operating Officer Sheryl Sandberg. Her new memoir, Just the Funny Parts, reveals what it was like to break[...]
• 
  Kurt Andersen talks with performer and artist Laurie Anderson about her long career and her new book, “All the Things I Lost in the Flood,” and new album, “Landfall.” Jess Thom used to be kind of in denial about having Tourette syndrome, but then she decided to turn her tics into inspiration for artists. And[...]
• 
  A show about how sounds from household items and nature get turned into something else. First Kurt Andersen talks with Ben Burtt, the legendary sound designer who came up with the iconic noises in “Star Wars,” “WALL-E” and more. Then Kurt gets a lesson on the theremin from a master of this out-there instrument, Pamelia[...]
• 
  In 1978, there were more female comedians in LA than ever before, and many of them were performing at the Comedy Store. But that didn’t mean they were treated fairly, or even given much of a chance to perform. The Comedy Store’s owner, Mitzi Shore, tried to rectify that with an experiment — a room[...]
• 
  Just as art collector Peggy Cooper Cafritz was about to publish a book about the work of black artists she has championed, she died suddenly, and Kurt hears from some people who will miss her the most. Writer Richard Klin admits his love for one of the more schmaltzy ballads of the ’70s, “Babe” by[...]
• 
  Some of our favorite artists who hit their stride when the blush of youth was long gone. Hilton Als talks with Toni Morrison, who didn’t write her first novel until she was 39. David Chase was a writer and producer for television for decades, most famously as the creator of “The Sopranos,” but he didn’t[...]
• 
  In 2013, novelist and former CIA officer Joe Weisberg created the FX TV series The Americans. It’s about a pair of Russian spies living as Americans in Washington D.C. Three years later, Joe Weisberg’s older brother, Slate’s editor-in-chief Jacob Weisberg, created the podcast Trumpcast. At first, it seemed like the creative pursuits of the Weisberg[...]
• 
  Kurt Anderson talks with Doug Jones, the go-to guy to play creatures and monsters in Hollywood, about his performance in “The Shape of Water.” When it comes to political acceptance speeches at the Academy Awards, it’s a fine line between awe-inspiring and awe-ful, so we check in with some pros, including Barack Obama’s speechwriter, about[...]
• 
  Kurt Andersen looks into how the Lincoln Memorial became an American Icon. Sarah Vowell discusses the battle over Lincoln's memory, which lasted for three generations. Dorothy Height, a veteran of the Civil Rights Movement, recalls witnessing Marian Anderson's historic concert there in 1939, and hearing Martin Luther King Jr. declare "I have a dream" in[...]
• 
  Irish actress Denise Gough tells Kurt about her lean years before her two big breakout roles in London — both of which came to New York. A listener named Sam Cook left the church, but his love of Christian rock remains. In 1963, “The First Family” broke new ground for comedy by openly mocking —[...]
• 
  Kurt talks with Ruth Carter, the costume designer who recreated historically accurate clothing for period pictures like “Malcolm X,” “Selma,” and “The Butler,” but for “Black Panther” came up with a bold look for the future. Randy Levin is one of those Billy Joel obsessives who even has recordings of Joel when he played in[...]
• 
  The musical children of musical stars. Sean Lennon on growing up with John and Yoko. Rosanne Cash’s surprising musical guilty pleasure. Joshua Redman on his fellow saxophone player — and father — Dewey Redman. And a performance from Rufus Wainwright.  Learn more about your ad choices. Visit megaphone.fm/adchoices
• 
  Even in this increasingly fragmented media age, the Super Bowl is one of those rare television events that really captures the country. Nearly one in three Americans -- more than 100 million -- tunes into the game. And while the NFL viewership in past eras has been overwhelmingly male, that’s no longer true: for the[...]
• 
  Daniela Vega, who stars in the Oscar-nominated film from Chile, “A Fantastic Woman,” tells Kurt about her own experiences as a transgender woman that she brought to the role. How the artist Linden Frederick got writers including Dennis Lehane and Elizabeth Strout to write short stories based on his paintings. A grieving widow finds comfort[...]
• 
  Looking back on the half-century-long legacy of Star Trek, including six television series and 13 feature films. First, Slate cultural critic Marissa Martinelli tells Kurt  about the new TV show, “Star Trek: Discovery.” Writer and producer Ronald D. Moore reveals his childhood fascination with Star Trek and his later experiences as a writer for the[...]
• 
  How the oil crisis of the 1970s inspired C.W. McCall's novelty trucker hit "Convoy," launching a national CB radio craze. Theater designer Joshua Dachs tells Kurt how stages have evolved over the centuries -- and why so many productions are now drawn to unconventional spaces. And June Thomas looks at how sexual harassment is depicted[...]
• 
  Kurt Andersen talks with Stevie Salas, whose documentary, “RUMBLE: The Indians Who Rocked the World,” highlights rockers like Link Wray, Jimi Hendrix, Jesse Ed Davis, and Robbie Robertson.  Bestselling Young Adult author Angie Thomas on how the late TLC performer Lisa “Left Eye” Lopes spoke to her at a very troubling point in her life.[...]
• 
  Celebrating a year that couldn’t end quickly enough with some of our favorite segments. Academy Award-winner Thelma Schoonmaker, who has edited every Martin Scorsese movie for the nearly four decades, talks with Kurt about editing Scorsese’s latest film, “Silence,” and some classic scenes she edited in movies including “Raging Bull” and “Goodfellas.”  Yewande Omotoso’s joins[...]
• 
  A theater in Memphis decided to stop showing “Gone with the Wind,” and Aisha Harris, a Slate culture writer and host of the podcast Represent, joins Kurt to talk about what many see as a nostalgia for slavery in the movie. At 50, there are two central questions surrounding the song, “Ode to Billie Joe”:[...]
• 
  Amid all the recent allegations of sexual harassment, June Thomas takes a look at how the issue is depicted on TV. “Watching television is something that millions of Americans do every night,” she says, “so storylines about sexual harassment can set a tone for our shared ideas on the subject.” How do the writers of[...]
• 
  We're always talking about creativity, but what do we mean? Can we find creativity, can we measure it, can we encourage it? Kurt talks with Gary Marcus, a psychology professor about what science tells us about creativity. A researcher puts jazz musicians into an fMRI machine and has them improvise; an intrepid reporter gets her[...]
• 
  New York Times theater critic Jesse Green and playwright Paul Rudnick join Kurt to discuss groundbreaking gay theater over the past 50 years. How will plays like “Angels in America” and “Torch Song Trilogy,” which are being revived, hold up for today’s audiences, and what’s the future hold for plays about the LBGT community? Plus,[...]
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  Illustrator and political cartoonist Barry Blitt is best known for his New Yorker covers. Over the past three decades, he’s paired his signature ink and watercolors with his dry wit. This past fall he published a beautiful coffee-table book that’s a retrospective of his most memorable work.  Blitt invited Studio 360 to meet him at[...]
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  Generations of Americans have grown up with Walt Disney shaping their imaginations. In 1955, Disney mixed up some fairy tales, a few historical facts, and a dream of the future to create an alternate universe. Not just a place for fun, but a scale model of a perfect world. “Everything that you could imagine is[...]
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  This week, a triple header from the series American Icons, which focuses on works of art that changed the way we think about America. First is Nathaniel Hawthorne’s “Scarlet Letter”: his 1850 novel about a woman being shamed for having an affair. Anna Sale produced this Icon segment in 2013, before starting her hit podcast[...]
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  Alec Baldwin, who these days may be best known for his depictions of President Trump on “Saturday Night Live,” joins Kurt to discuss how he has played many villains in his career, and their points of view might best be summarized by the words of the “Boss Baby” character he voices: “I poop. They wipe.[...]
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  Sitting down with some of the smartypants whom the MacArthur Foundation just awarded its genius grants. Jesmyn Ward began writing about rural African American life after the horrors of Katrina and the loss of her brother. The playwright Annie Baker’s characters try desperately to connect with one another, but get bogged down by small talk.[...]
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  Tracey Ullman is back, this time on HBO, and she talks with Kurt about her new series and her hilarious impersonations of celebrities including Judi Dench and Angela Merkel. An artist finds a use for Hillary Clinton’s unused victory confetti. And Author and YouTube phenom John Green talks about his new book “Turtles All The[...]
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  Twyla Tharp is the most celebrated American choreographer working today, but that doesn’t mean she’d hoity-toity, and she talks with Kurt about choreographing to such accessible music at the Beach Boys, Billie Joel and Fran Sinatra. How Yillah Natalie decided to become a belly dancer after seeing the video for U2’s “Mysterious Ways.” A reporter[...]
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  Artists Agnès Varda and JR were born 55 years apart but have so much in common, and made a lovely film, “Faces Places.” Have horror movies jump scares, like when the axe-wielding maniac lurches out of the bushes, gone from a reliable technique to a hackneyed cliché? When he was an adolescent, his male friends’[...]
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  This is the story of America’s fight against authority. Ken Kesey had worked in a mental hospital, but his first novel was really a parable of what happens when you stand up to the Man—a counterculture fable that doesn’t end well. Despite his far-reaching influence, Kesey was shut out by filmmakers who turned the story[...]
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  Danny Strong joins Kurt to talk about how he began his career as an actor, evolved into as a writer of movies like “Game Change,” and just made his directorial debut with “Rebel in the Rye,” which is about the circumstances under which J.D. Salinger wrote “The Catcher in the Rye.” The stunning new animated[...]
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  Is the old cliché true — is laughter the best medicine? Kurt Andersen and Mary Harris, a health reporter at WNYC, go to a laughter yoga class to find out. Also, we hear from a neuroscientist who studies laughter and moonlights as a standup comedian. Comic Chris Gethard explains why he resisted getting help for[...]
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  Steven Spielberg doesn’t like to talk about filmmaking much, but he talked (and talked, and talked) to documentary filmmakerSusan Lacy, who sits down with Kurt Andersen to discuss her definitive portrait of the master. Any classical musician will tell you the worst place to hear a concert is not from the nosebleed seats – it’s[...]
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  John McPhee is the godfather of a certain kind of long-form creative non-fiction, and over the past half-century, he’s written over 100 articles for The New Yorker. He sits down with Kurt to talk about his new book, which is part memoir, part tutorial for writers. Then B.J. Novak, the writer and actor who starred[...]
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  School is back in session, so Studio 360 is hitting the books. Kurt calls up his favorite teacher from high school to compare notes. The novelist Nicholson Baker signs up to be a substitute teacher. And comedian Aparna Nancherla reveals the shocking secret that destroyed her career in science before it started.   (Originally aired[...]
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  Some of our favorite recent stories about movies. Kurt talks with Jenny Slate about how her movie career blossomed long after her inglorious stint on Saturday Night Live. Yesi Ramirez breaks down how she cast the Best Picture winner, Moonlight. A film critic defends – and praises! – the movie film nerds love to hate:[...]
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  Our favorite recent segments about the stage. Kurt talks with Frank Langella about his screen and stage career since his breakout role as Dracula in the 1970s. A budding soprano describes her unusual day job: determining exactly when subtitles should appear during opera performances. And Jack Viertel, a Broadway legend, breaks down the components of[...]
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  Some of our favorite recent stories about books and the people who make them. Kurt talks with Claudia Rankine about capturing what racism really feels like in “Citizen: An American Lyric,” and to Helen Oyeyemi about her very un-Disney re-imagining of Snow White. The writer Sadie Stein defends the word “moist” against all those who[...]
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  Some of our favorite recent stories about music.What drove Carrie Brownstein to actually punch herself in the face when she was on tour with Sleater-Kinney, the haunting beauty and artistry of the “Twin Peaks” score, and Shamir plays insanely catchy music live in our studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Herman Melville's white whale survived his battle with Captain Ahab only to surface in the works of contemporary filmmakers, painters, playwrights and musicians. Kurt Andersen explores the influence of this American Icon with the help of Ray Bradbury, Tony Kushner, Laurie Anderson and Frank Stella. Actor Edward Herrmann is our voice of Ishmael and Mark[...]
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  The astounding mad scientist life of Nikola Tesla. Just who was this pioneer of radio, radar, and wireless communication? We discover his legacy in the work of today’s scientists and artists. Samantha Hunt’s novel The Invention of Everything Else is a fictional portrait of Tesla. Monologist Mike Daisey tells us how Tesla X-rayed Mark Twain’s[...]
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  How many f-bombs and gun shots determine a movie’s rating? Howard Fridkin reveals the process of rating movies. Plus, how Native Americans shaped rock and roll history, and a live performance by NPR Tiny Desk Contest winners Tank and the Bangas.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This is the novel about racism that America couldn't ignore. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, Kurt goes through the looking glass into the world of conspiracy thrillers. Plus, Matt Walsh breaks down how he improvises comedy on the set of “Veep.” And Jimmy Iovine explains how he sold music in the ever-shifting music industry.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Episodes of false identity, living large, and murder in the suburbs add up to the great American novel. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Should arts organizations accept money from the Koch brothers? Art critic Philip Kennicott weighs in. Plus, Oscar-winning director Errol Morris talks about interviewing Elsa Dorfman and Donald Trump. And Blondie’s Debbie Harry and Chris Stein share music that inspired their new album.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, an episode about groundbreaking pop music: The music that preceded and followed Radiohead’s landmark album, “OK Computer.” Plus, an exploration of how the life of Tupac Shakur was mythologized — even by Tupac himself. And gospel punk band Algiers plays live in the studio.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Universe not big enough for you? There’s always the multiverse — many universes, scattered through time and space. In one world, you might drive a bus; in another, you might be a Formula One racer. If the idea sounds familiar, that could be because it has obsessed science-fiction and comic-book writers for decades. But artists[...]
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  This week, Kurt talks with “Daily Show” Correspondent Hasan Minhaj about surviving the Trump Administration. Plus, the story behind one of the great literary hoaxes of the century: “Naked Came the Stranger.” And statistician Ben Blatt uses data analysis on classic novels and discovers some surprising patterns. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This is where television invented itself. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, a conversation with music journalist Eve Barlow about the terror attack in Manchester and the city’s rich musical history. Plus, “Master of None” co-creator Alan Yang reveals behind-the-scenes stories from the Netflix series, and an expert on con artists dissects America’s fascination with flim-flam men. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, as President Trump threatens Canada, we salute our neighbors to the north. Kurt gets his Canadian knowledge tested, k.d. lang talks about her Canuck roots, and Mac DeMarco plays live.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, we head back to “Twin Peaks.” “Fargo” showrunner Noah Hawley talks about the impact of David Lynch’s cult TV show. Plus, what it was like growing up where the show was filmed, and the composers behind “X-Files” and “Breaking Bad” discuss the brilliance -- and influence -- of the show’s soundtrack.  Learn more[...]
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  This was the American spectacle that colonized our dreams. He was the most famous American in the world — a showman and spin artist who parlayed a buffalo-hunting gig into an entertainment empire. William F. Cody’s stage show presented a new creation myth for America, bringing cowboys, Indians, settlers, and sharpshooters to audiences who had[...]
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  This week, why Margaret Atwood dedicated “The Handmaid’s Tale” to a woman known as Half-Hanged Mary. Plus, the Kinks’ Ray Davies shares his playlist of his favorite American songs, and the story behind that album with George Carlin’s classic bit, “Seven Words You Can Never Say on Television.” Learn more about your ad choices. Visit[...]
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  This week, Studio 360 gets obsessed about fandom: a look inside the world of black cosplayers at ComicCon, Kurt visits a Japanese pop culture paradise, and an atheist proselytizes “Jesus Christ Superstar.” Learn more about your ad choices. Visit megaphone.fm/adchoices
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  How a church hymn became an American anthem: the surprising and complicated story behind “Amazing Grace.” Plus, a conversation with novelist Yewande Omotoso about her book, “The Woman Next Door.” And Aimee Mann reveals her biggest influences and performs live in the studio.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Disguised as a mild-mannered reporter, Kurt Andersen explores the history of Superman with cartoonists Jules Feiffer and Art Spiegelman, director Bryan Singer, novelists Michael Chabon and Howard Jacobson, and the 1978 Lois Lane, Margot Kidder. Is this strange visitor from the planet Krypton derivative of Jewish mythology? Can one superhero wield ultimate power for a[...]
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  This week, the story of “Shaft.” Plus, learn the lingo in a TV writers’ room with “Veep” showrunner David Mandel. And Kurt talks to author Osama Alomar about his collection of very short fiction, “The Teeth of the Comb & Other Stories.” Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, Kurt heads to a dog park and learns how to take the perfect pet portrait. Plus, the story behind “Share A Smile Becky,” Mattel’s attempt at creating a Barbie doll that used a wheelchair. And Carter Burwell, who scored the music for films by directors including Sidney Lumet and the Coen Brothers, defines[...]
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  This week, Kurt talks to comedians Kate Berlant and John Early about their absurdist new series, “555.” Plus, how filmmaker Garry Fraser went from being a heroin addict in Scotland to working on “T2: Trainspotting” — a movie about heroin addicts in Scotland. And Stephin Merritt of The Magnetic Fields plays live in our studio.[...]
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  The home of America’s aspirations and deepest contradictions. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, Kurt talks to writer/director Jordan Peele about his new horror film “Get Out.” Plus, how Leonard Bernstein brought classical music from the concert hall to the living room. And Afropop band Sinkane performs live in our studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, a look at artists — from the left to the right — getting political.  Conservative painter Jon McNaughton talks about creating art in the era of the Trump administration. Plus, the Black Panthers' brief foray into the music business. And Philip Roth talks to Kurt about his eerily timely novel "The Plot Against[...]
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  This week, we preview the Academy Awards. The casting director of “Moonlight” talks about the complicated process of finding the right actors for three different time periods. Plus, “La La Land” director Damien Chazelle guides Kurt through the classic Hollywood musicals that inspired his film. And the director of the Oscar-nominated “The Red Turtle” talks[...]
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  Where do you turn when you’re heartbroken in the dead of night? Delilah, of course — her radio call-in show pairs romantic advice with the perfect song. Plus, we discover the surprisingly sweet couple behind one of history’s naughtiest gag gifts: edible underwear. And Canadian songwriter Basia Bulat used a broken heart to propel her[...]
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  This week, Kurt talks to former NEA chairman Dana Gioia about how the Trump Administration may target federally-funded art. Plus, screenwriter Robert D. Siegel reveals how a real-life story becomes a Hollywood movie. And Karina Longworth and Noah Isenberg take a look back at the legacy of “Casablanca.” Learn more about your ad choices. Visit[...]
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  This week, a conversation with Oscar-winning editor Thelma Schoonmaker, the story behind Marilyn Monroe’s most iconic moment, and a New York Times critic picks the timeliest show on TV. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This is America’s dreamland. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Marilyn Monroe’s most iconic moment — standing over a subway grate as her white dress billows up — was originally filmed in Manhattan in 1954. But a crowd of onlookers forced the producers to reshoot the scene in a Hollywood sound stage, and footage from that night was thought to be lost forever. Until now. Bonnie[...]
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  Our inauguration special: A review of Barack Obama's arts legacy, how fashion goes from inside the beltway to the runway, and "Game Change" co-author John Heilemann talks about the cultural tastes of Donald Trump. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  This week, Kurt talks to Adam Driver, an architect tries to build a museum in Iraq, how Sly and the Family Stone created a pop music masterpiece, and Taylor Mac does a decade-by-decade revue of American pop. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Jack Viertel is a human encyclopedia of musical theater. He’s the producer of hit Broadway shows like “Hairspray,” “Kinky Boots,” and “The Producers.” And he’s also the artistic director of Encores, a New York series that resurrects vintage musicals. Viertel’s book “The Secret Life of the American Musical—How Broadway Shows are Built,” reveals the essential elements of a musical.  This spring, he joined[...]
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  From "Semi-Living Dolls" to glowing florescent illustrations, artists are using the tools of synthetic biology to grow their own materials and create works of art that are, essentially, alive. It’s one thing to wag our fingers at big scientific institutions for "playing God," but isn't it uncool to tell artists they shouldn't do something, even[...]
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  The Man in the High Castle, the Emmy Award winning TV series, imagines a world in which the Nazi’s won WWII. Set in the 1960s, the show blends actual pop cultural imagery and artifacts with fictional interpretations of an alternative ending to the war. When its first season debuted, the show’s ad campaign in New[...]
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  This week, Kurt creates a crossword with a New York Times puzzle-maker, a neuroscientist explains why so many people share the same false memory, and a theater company brings August Wilson back to his boyhood home. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Kurt Andersen’s version of a Christmas story doesn’t have your typical talking snowman or mistletoe. Instead, this holiday tale involves extraterrestrial surveillance and melting polar ice caps. "Human Intelligence," was produced for radio by Jonathan Mitchell, and stars Melanie Hoopes, John Ottavino, and Ed Herbstman. The unabridged version was published in "Stories: All New Tales," an anthology edited[...]
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  This week, a stereophonic odyssey into the Amazon, the otherworldly nature of octopuses, and why a theater critic thinks Shakespeare is much ado about nothing. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Nothing takes the edge off the holidays quite like the soundtrack to “A Charlie Brown Christmas” by Vince Guaraldi. The jazz musician and composer always wanted to write a standard. And since the “Peanuts” holiday special first aired in 1965, its score has become one of the most recognizable jazz recordings of all time. In 2012[...]
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  This week, we celebrate the 100th anniversary of Albert Einstein’s theory of relativity: how Einstein upended the way we see space and time, his effect on pop culture, and how one of his most preposterous ideas was ultimately proven right.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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  If you take a trip to your local natural history museum, you’ll likely discover the story of our planet told through vast collections of species, vibrant dioramas and exhibits on the evolution of life on earth. But historically, these institutions have done a poor job of showing where humans have influenced “the natural world.”  Some[...]
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  An hour about spoofs, parodies, and lampoonery. Mel Brooks and David Zucker talk about the art of mocking movies. Then, Edgar Wright, Simon Pegg and Nick Frost deconstruct action flicks. And a live, unplugged performance by "Weird Al" Yankovic. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Sharon Jones burst onto the music scene about 10 years ago — she was backed by The Dap-Kings, a straight-out-of-the-1960s funk band with a fantastic horn section.  And at just 5 feet tall, Sharon had all of the funk and spark of James Brown. The band was made up of young hipsters, and while Jones[...]
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  On the 400th anniversary of William Shakespeare’s death, we look at the ways his work continues to change and adapt. In the 19th century, Shakespeare’s work got caught up in minstrel shows — and African-American actors are still struggling to claim the Bard as their own. Also, we find out how a father-son team is[...]
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  Leon Russell passed away last week — he was 74. During the 1970s, he forged a musical career unlike almost anyone else’s before or since: an ultra-American mix of country, blues, gospel, and rock n’ roll, collaborating with musicians from all those genres. Kurt spoke with Russell in the summer of 2015 when a 40-year-old documentary[...]
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  On this week’s show, novelist Brit Bennett reads from her debut novel, “The Mothers.” Plus, Josh Katz gives us a tour of American regionalisms. And Leonor Caraballo and Abou Farman create art in the face of the cancer.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Twenty years ago this week, DJ Shadow set a Guinness World Record for creating an album made up entirely of samples, many of them from LPs he rescued from the 50-cent bin. But “Endtroducing” is also musically and compositionally inventive, and it caught the attention of the hip-hop world. DJ Shadow has moved on, but[...]
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  This week: How a former reality TV star was elected president. Then, Pulitzer Prize winner Tracy K. Smith writes a poem inspired by a Baton Rouge protester. And we explore the creation of Woody Guthrie’s “This Land is Your Land.” Learn more about your ad choices. Visit megaphone.fm/adchoices
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  Nobody defined the satirical style of “Saturday Night Live” more than Jim Downey. He wrote for the show for over 33 seasons and was SNL’s head writer for 10 years. Downey gives us a behind-the-scenes look at how SNL crafted political sketches throughout the years — including dealing with reluctant politicians, his favorite jokes that[...]
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  On this week’s show, Eugenia Cheng whips up a delicious math lesson for Kurt. Plus, writer Sadie Stein defends one of the most detested words in the English language. Then, an art historian and a scientist explore the connection between bird plumage and air pollution. And Jacob Collier plays live with an instrument built by[...]
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  Happy Halloween! Jack Handey, thinker of Deep Thoughts, takes on the ultimate holiday question: If a skeleton’s not scary, what’s the point of having one? He offers a few tips on how to make your skeleton live up to its reputation so you’re not burying just another ho-hum pile of bones. Learn more about your[...]

The Peabody Award-winning Studio 360 with Kurt Andersen, from PRI, is a smart and surprising guide to what’s happening in pop culture and the arts. Each week, Kurt introduces the people who are creating and shaping our culture. Life is busy ‘ so let Studio 360 steer you to the must-see movie this weekend, the next book for your nightstand, or the song that will change your life. Produced in association with Slate.