Michel Hazanavicius’s Animated Holocaust Fable Walks A Fine Line

If an animated film turns up in the Competition at Cannes, chances are it’s not going to be another Bambi — although, if it were made today, the traumatic shooting of Bambi’s mother would certainly tickle the selection committee. No, Cannes prefers its animation to be skewed towards adults, like René Lalou’s surreal sci-fi Fantastic Planet (1973), Robert Taylor’s raunchy…